"I have resigned as poetry editor of the New York Times Magazine.
The Israeli state’s U.S.-backed war against the people of Gaza is not a war for anyone. There is no safety in it or from it, not for Israel, not for the United States or Europe, and especially not for the many Jewish people slandered by those who claim falsely to fight in their names. Its only profit is the deadly profit of oil interests and weapon manufacturers. The world, the future, our hearts—everything grows smaller and harder from it. This is not only a war of missiles and land invasions. It is the ongoing devastation of the people of Palestine, people who have resisted throughout decades of occupation, forced dislocation, deprivation, surveillance, siege, imprisonment, and torture.
Because our status quo is self-expression, sometimes all artists have left is to refuse. So I refuse. I won’t write about poetry amidst the ‘reasonable’ tones of those who aim to acclimatize us to this unreasonable suffering. No more ghoulish euphemisms. No more sanitized hell-words. No more warmongering lies.
If this resignation leaves a hole in the news the size of poetry, then that is the true shape of the present."
—Anne Boyer, in her resignation as poetry editor of The New York Times Magazine
Spiral orb webs showing some colours in the sunlight in a gorge in Karijini National Park, Western Australia, Australia
MARINE SERRE at Paris Fashion Week Fall 2022
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Ecstatic flesh and mortal mind: A 16th century carved wooden head of a Christian martyr with extraordinary bodily detail including teeth, muscles and throat. Collection of the Science Museum in London.
